SARA ROSENTHAL
  • recent projects
    • if one day these [ ] become ruins...
    • Vegetal//Flesh
    • navigation pods
  • Paint
    • chimaeric
    • Subliminal Landscapes
    • Duende
  • Weaving
    • Charred Landscape
    • Cosmic Fragments
    • Ruins
    • moldy fruits
    • Penelope/Parthenope
  • performance
    • the twins of horae
    • pink woven time
    • queer cabaret
    • dance ritual
    • collaboration
    • process painting
  • mixed media
    • mixed media
    • Patterns
    • video
  • writing
  • facilitation
  • about
    • artist statement
    • bio
    • c/v
    • contact
  • recent projects
    • if one day these [ ] become ruins...
    • Vegetal//Flesh
    • navigation pods
  • Paint
    • chimaeric
    • Subliminal Landscapes
    • Duende
  • Weaving
    • Charred Landscape
    • Cosmic Fragments
    • Ruins
    • moldy fruits
    • Penelope/Parthenope
  • performance
    • the twins of horae
    • pink woven time
    • queer cabaret
    • dance ritual
    • collaboration
    • process painting
  • mixed media
    • mixed media
    • Patterns
    • video
  • writing
  • facilitation
  • about
    • artist statement
    • bio
    • c/v
    • contact

facilitation + curation 
leading movement workshops, performance devising sessions, collaborative poetry workshops, improvisational connective exercises at conferences, women's circles, and interactive activities for all ages at Tate Modern, curating activities and exhibitions 

Mentorship and Group Activities as Co-Director of Argo Studios artist and writer's residency program
including partnership with the Royal College of Art London and encounters with Athens School of Fine Arts
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She, Ruins, Everything
a collaborative group residency + exhibition
24-27 July 2025 // 24-27 Ιουλίου 2025

In the beginning, none of us knew what it would be. A show? A performance? A drama? A comedy? How much would we really all work together, we who have never met before? How many of us will there be? Nine, and then eleven, seven, and then four, or six, if you count all of us, really.
What we knew was this: we had three weeks (a bit less) to come together and interpret the theme: She, Ruins, Everything. Or: She ruins everything!

You see, there was tension there from the start. Was it a phrase, or three nouns? Would it be about collective experience- deeply collaborative, heavily universal- or would it be personal, intimate, a collective red thread re-wound?

And furthermore, how does Athens come into it all? How does Greece come into it?

Did I escape, I wonder?
My mind winds to you
Old barnacled umbilicus, Atlantic cable,
Keeping itself, it seems, in a state of miraculous
repair.
Picture
Devising Performance & Movement Workshops- 2017-2019
Love Letters to Strangers (interactive performance workshop)- Tate Modern- London- 2017
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Picture
Copyright © 2026
  • recent projects
    • if one day these [ ] become ruins...
    • Vegetal//Flesh
    • navigation pods
  • Paint
    • chimaeric
    • Subliminal Landscapes
    • Duende
  • Weaving
    • Charred Landscape
    • Cosmic Fragments
    • Ruins
    • moldy fruits
    • Penelope/Parthenope
  • performance
    • the twins of horae
    • pink woven time
    • queer cabaret
    • dance ritual
    • collaboration
    • process painting
  • mixed media
    • mixed media
    • Patterns
    • video
  • writing
  • facilitation
  • about
    • artist statement
    • bio
    • c/v
    • contact