After the Feast- Two Thirds Project Space- Athens, Greece- 2020
these blues- London- Central Saint Martins- 2019
corus corvax seeks the tortoise! - London- 2019
Mayfair Fringe collaboration with sculptor Christopher Pearson- London- 2018
A girl called Room- Revolt, She Said (Kristeva Conference and Cabaret)- Chelsea College of Arts, London- 2019
Encounters in the Labyrinth (WhimCo)- Theatre Embros, Athens- 2018
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girls sat alone eating noodles in the wind with no utensils, a performance- London- 2018
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whale song- London- 2017
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Lethaby Gallery Art Auction- London- 2017
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Love Letters to Strangers (interactive performance workshop)- Tate Modern- London- 2017
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Site Specific Performance- Inteatro Residency, Polverigi, Italia, 2018/ 2019
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SpaceFeast!- London- 2017
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Carousel Institute of the Arts Residency- Poolsbrook Farm, UK- 2018
These images portray a live performance during an art residency at Carousel Institute of the Arts in Poolsbrook, England. During this residency I assembled a makeshift loom from a metal frame and collected found objects and recyclable materials to weave a textile: alpaca fur, discarded ribbons and threads, bells, and pink plastic hay bale wrapping. I wove this ritual garment, then wore it as a cape while performing from atop a two-story pile of hay bales in a field during the annual autumn gathering at a working horse farm. For my ritual performance, I invited participants to whisper secrets to me through a horn, things that they wanted to get rid of.
Atop the haybale, swirling the woven cape in the wind, I inhabited the character of the oracle and released the communal secrets through abstract wailing chants that echoed across the fields. The performance continued, as I embodied a snail-like woven creature that hid in crevices, observing, a curious wizened crone character who interacted with unsuspecting audiences throughout the durational performance.
Atop the haybale, swirling the woven cape in the wind, I inhabited the character of the oracle and released the communal secrets through abstract wailing chants that echoed across the fields. The performance continued, as I embodied a snail-like woven creature that hid in crevices, observing, a curious wizened crone character who interacted with unsuspecting audiences throughout the durational performance.
Avant Avant Event Event! presents: The Time's End Kabarett- Los Angeles, CA- 2017
Planet Queer cabaret- Akbar, Los Angeles, CA, 2017
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fool's paradise: alicia en el país de las maravillas- AIR at Can Serrat, El Bruc, Catalunya, 2014
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the breakdown: recombinant poetics- ARENA 1 Gallery, Los Angeles, CA, 2015
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Zombies de Blasio- Site Responsive Performance, New York City, New York, 2015
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everything is metaphor!, Colorlab TierraSal Contemporary Gallery, Los Angeles, 2014
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“For to acknowledge our imaginary discourse, the discourse of loving play, is to acknowledge the discourse of the other in us” -Richard Kearney, Poetics of Imagining
A durational performance emulating the playful creative process of acquiring language 
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le mime- durational performance, Burning Man, Black Rock City, Nevada, 2014
visiting voices- Jerusalem, Israel, 2012
